Holding a guitar case can increase your success with women… if you’re attractive (and live in France)
I came across a fun little study published on the Psychology of Music. The experimenters designed a simple experiment to test whether music plays in role in sexual selection. To be honest, I am not sure if that was what they actually tested but I’ll let you decide on that. It seems that what they tested was whether holding a guitar case increases women’s receptivity to a courtship solicitation – if you are attractive, male and live in France. The participants were 300 young females with an estimated age between 18 and 22 years, who were walking alone in several shopping streets of a medium-sized city in France. The experiment was conducted on a sunny Saturday afternoon at the beginning of the summer period. A 20-year-old man, previously evaluated as having a high level of physical attractiveness, acted as confederate.
The participants were selected following a random assignment in which the confederate was instructed to approach the first young woman in the age group (18–22 years) who appeared alone on the pedestrian walkway. He was instructed not to select a participant according to her physical attractiveness, the way she was dressed, her height, etc. He was instructed to wait until a young woman between approximately 18 and 22 years of age passed by him in the street, and then to approach her… The confederate was instructed to approach the young women with a smile and to say, “Hello. My name’s Antoine. I just want to say that I think you’re really pretty. I have to go to work this afternoon, and I was wondering if you would give me your phone number. I’ll phone you later and we can have a drink together someplace.” According to the experimental conditions, the confederate held in his hands a black acoustic guitar case (guitar case condition), a large black sports bag (sports bag control condition), or nothing (no bag control condition). After testing 10 women in one condition, the confederate was instructed to move to another area and to select a new experimental condition according to a random distribution.
The confederate talked to 300 women in one afternoon.. Impressive. The results? In the guitar case condition, 31% (!) of the women gave their phone number to the confederate , compared to 9% in the sports bag condition and 14% in the no bag control condition. It seems that holding a guitar case is an effective strategy if you’re attractive. Holding a sports bag seems to have the opposite effect. There are many problems with this study which the authors recognise. First of all, they only used one confederate and his physical attractiveness was high. He was voted as the most good looking guy among a list of others in a previous study. As a result, it is difficult to generalise the effects to other male confederates with various attractiveness levels. It’d be interesting to see if holding a guitar case would increase women’s receptivity to a courtship solicitation by an average looking male. Also, only one instrument was manipulated in this study. Could the effect be limited to the guitar?
This is not a proper post. It is more like a long tweet. Having done a similar study last year and finding no significant results I felt I had to share this with you.
You have probably heard that right-handed people look up to their right when they are telling a lie, while they look up to their left when they are telling the truth. Surprisingly, even though many people believe this is to be scientifically established, a quick google search comes up with no relevant peer-reviewed papers. Richard Wiseman and colleagues investigated this notion with three different studies. All three studies provided no evidence to support the notion. So it seems that the patterns of eye-movements do not aid lie detection.
Why did this myth survive for such a long time? Probably thanks to psychologists’ reluctance to publish negative results…
Here is the abstract:
Proponents of Neuro-Linguistic Programming (NLP) claim that certain eye-movements are reliable indicators of lying. According to this notion, a person looking up to their right suggests a lie whereas looking up to their left is indicative of truth telling. Despite widespread belief in this claim, no previous research has examined its validity. In Study 1 the eye movements of participants who were lying or telling the truth were coded, but did not match the NLP patterning. In Study 2 one group of participants were told about the NLP eye-movement hypothesis whilst a second control group were not. Both groups then undertook a lie detection test. No significant differences emerged between the two groups. Study 3 involved coding the eye movements of both liars and truth tellers taking part in high profile press conferences. Once again, no significant differences were discovered. Taken together the results of the three studies fail to support the claims of NLP. The theoretical and practical implications of these findings are discussed.
The rest of the article can be found on PLoS ONE.
Recently, a “new” sexual orientation has started getting attention in the media, asexuality (or nonsexuality) (e.g., see recent article on the Metro)
But what is asexuality? No, we are not talking about the asexual reproduction of invertebrates and other lower-level vertebrates. Unfortunately, there is only a limited number of studies on asexuality. In fact, some psychologists still doubt its existence or see it as sexual dysfunction. In the UK about 1% of the population self-identify as asexual (Bogaert, 2004). A few definitions have been given for asexuality: Storms (1980) defines asexuality as the absence of sexual orientation. This is similar to the definition given by Bogaert (2004), who describes asexuality as the lack of basic attraction towards others. The definition adopted by the largest international online community of asexual individuals, the Asexual Visibility and Education Network (AVEN) is broader than the ones mentioned above. AVEN defines asexuality as the lack of sexual attraction. A quick look at the forums at AVEN reveals that there is a great level of variability between individuals who self-identify as asexuals. Some are characterised by a lack of romantic orientation, as well as sexual attraction. Other, however, experience romantic attraction and identify as hetero-romantic (romantically attracted to people from the opposite sex), homo-romantic asexuals (romantically attracted to people from the same sex), or bi-romantic asexuals (attracted to individuals from both sexes).
Orientation or… disorder?
Could some of the people who self-identify as asexual individuals have some hormonal imbalance or a disorder behind their lack of sexual attraction?
Some initial findings show that asexuality is not associated with higher rates of psychopathology (Brotto et al., 2010). However, a subset might fit the criteria for Schizoid Personality Disorder. Asexuality seems to be more common among adults with autism spectrum disorder (ASD) (Gilmour et al., 2012).
A recent study by Brotto & Yule (2011) challenged the view that asexuality should be characterised as a sexual dysfunction. They did this by comparing genital (vaginal pulse amplitude; VPA) and subjective sexual arousal in asexual and non-asexual women.
Thirty-eight women between the ages of 19 and 55 years (10 heterosexual, 10 bisexual, 11 homosexual, and 7 asexual) viewed neutral and erotic audiovisual stimuli while VPA and self-reported sexual arousal and affect were measured. There were no significant group differences in the increased VPA and self-reported sexual arousal response to the erotic film between the groups. Asexuals showed significantly less positive affect, sensuality-sexual attraction, and self-reported autonomic arousal to the erotic film compared to the other groups; however, there were no group differences in negative affect or anxiety. Genital-subjective sexual arousal concordance was significantly positive for the asexual women and non-significant for the other three groups, suggesting higher levels of interoceptive awareness among asexuals. Taken together, the findings suggest normal subjective and physiological sexual arousal capacity in asexual women and challenge the view that asexuality should be characterized as a sexual dysfunction. (Brotto & Yule, 2011)
Is asexuality a new orientation?
In a sex obsessed society the idea of individuals who don’t experience sexual attraction sounds alien. However, there is evidence from early studies by Kinsey (1948) that a small percentage of the population, a category he called “X” exhibited behaviour consistent with modern definitions of asexuality. The first known publication focused on asexuality was by Johnson in 1977. So, the answer is probably no. It was probably always around but it was the internet that gave asexual individuals the chance to meet others like them from all over the world.
Some theories suggest that asexuality is a product of modern society. In particular, Przybylo (2011) views asexuality as:
“both a product of and reaction against our sexusocial, disoriented postmodern here and now. This article also addresses the question of whether or not, and on what terms, asexuality may be considered a resistance against sexusociety”
Bogaert A.F. (2004) Asexuality: Its Prevalence and Associated Factors in a National Probability Sample. Journal of Sex Research, 41, 279-287
Brotto, L. A., Knudson, G., Inskip, J., Rhodes, K., & Erskine, Y. (2010). Asexuality: A mixed methods approach. Archives of Sexual Behavior, 39, 599-618.
Brotto, L. A., & Yule, M. A. (2011). Physiological and Subjective Sexual Arousal in Self-Identified Asexual Women, Archives of Sexual Behavior, 40, 699-712
Gilmour, L., Schalomon, P. M., and Smith, V. (2012). Sexuality in a community based sample of adults with autism spectrum disorder. Research in Autism Spectrum Disorders, 6(1):313-318.
Johnson, M. T. (1977). Asexual and Autoerotic Women: Two invisible groups. in ed. Gorchros H.L. and Gochros J.S. The Sexually Oppressed. New York: Associated Press.
Kinsey, Alfred C. (1948). Sexual Behavior in the Human Male. W.B. Saunders.
Przybylo, E. (2011) Crisis and safety: The asexual in sexusociety. Sexualities, 14, 444-461.
Storms, M. D. (1980). Theories of sexual orientation. Journal of Personality and Social Psychology, 38, 783–792.
Kay Redfield Jamison, professor of psychiatry and behavioral sciences and co-director of the Johns Hopkins Mood Disorders Center at the Johns Hopkins University School of Medicine, convened a discussion of the effects of depression on creativity. Joining Jamison were two distinguished colleagues from the fields of neurology and neuropsychiatry, Dr. Terence Ketter and Dr. Peter Whybrow. The Music and the Brain series is co-sponsored by the Library’s Music Division and Science, Technology and Business Division, in cooperation with the Dana Foundation.
The “Depression and Creativity” symposium marks the bicentennial of the birth of German composer Felix Mendelssohn (1809-1847), who died after a severe depression following the death of his sister, Fanny Mendelssohn Hensel, also a gifted composer.
One of the nation’s most influential writers on creativity and the mind, Kay Redfield Jamison is a noted authority on bipolar disorder. She is the co-author of the standard medical text on manic-depressive illness and author of “Touched with Fire,” “An Unquiet Mind,” “Night Falls Fast” and “Exuberance: The Vital Emotion.”
Dr. Terence Ketter is known for extensive clinical work with exceptionally creative individuals and a strong interest in the relationship of creativity and madness. He is professor of psychiatry and behavioral sciences and chief of the Bipolar Disorders Clinic at Stanford University School of Medicine.
Dr. Peter Whybrow, an authority on depression and manic-depressive disease, is director of the Semel Institute for Neuroscience and Human Behavior at the University of California, Los Angeles (UCLA). He is also the Judson Braun Distinguished Professor and executive chair of the Department of Psychiatry and Biobehavioral Sciences at the David Geffen School of Medicine at UCLA. (description take from here).
And here’s the video:
ADHD is the most common neurodevelopmental disorder (Faraone et al., 2003) and affects about 3–6% of children (Tannock 1998). ADHD is defined by either an attentional dysfunction, hyperactive/impulsive behaviour or both (DSM-IV; American Psychiatric Association, 1994). Therefore, the diagnosis of ADHD has three subtypes: the Inattentive subtype (ADHD/IA), which is characterised by significant levels of inattention but subthreshold levels of hyperactive/ impulsive symptoms, the Hyperactive/Impulsive subtype (ADHD/HI), which is defined by hyperactivity/ impulsivity but not of inattention symptoms, and the Combined Inattentive-Hyperactive/Impulsive subtype (ADHD/C), which is characterised by maladaptive levels of both symptom clusters.
Morningness is a stable characteristic which reflects the phase of circadian system. It is a continuum with evening types at one end and morning types on the other. Previous studies have found that the evening orientation might be a risk factor for various disorders including depression and personality disorders. Morningness is also a heritable trait (Vink, Groot, Kerkhof, & Boomsma, 2001) and determined by genetic factors (Mishima, Tozawa, Satoh, Saitoh, & Mishima, 2005). Impulsivity and novelty seeking, two characteristics associated with particular ADHD subtypes are negatively related to morningness. Specifically, evening oriented individuals often score higher on tests assessing those traits. In addition to that, there is evidence that morningness is implicated in the variation of performance (Natale, Alzani, & Cicogna, 2003). Variability in various cognitive tasks is a common finding in many studies examining individuals with ADHD. Individuals with ADHD have also been found to experience a number of sleep related disorders such as sleep-onset difficulties, agitated sleep, and a higher number of nocturnal awakings.
Caci et al. examined the relationship between morningness and ADHD. Their hypothesis was that adults suspected of having ADHD are more evening oriented than are adults without ADHD. They recruited 354 participants and assessed their scores in the Composite Scale of Morningness (CSM), a measure of morningness, and the Adult Self-Report Scale v1.1 (ASRS), a self-reported questionnaire used for screening of ADHD in adults. ASRS includes two subscales for inattention and hyperactivity symptoms. This allowed Caci et al to examine the relationship between possible ADHD subtypes and morningness.
The results of the study confirmed the hypothesis; participants with higher scores on the ASRS reported having an evening orientation. The effect was stronger in participants with higher scores on the subscale of inattention. No correlation was found between hyperactivity and morningness. This provides evidence for the existence of different endophenotypes in ADHD. Since the sample used in this study consisted of healthy volunteers, it would be interesting to try to replicate this finding in diagnosed individuals with ADHD.
PS: After writing this post, I realised there’s a new study published in Nature by Baird et al. (2011) that examines endocrine and molecular levels of circadian rhythms in ADHD and seems to confirm the morningness hypothesis proposed by Caci et al. According to this paper, adult ADHD is accompanied by significant changes in the circadian system. I might write a post about it in the near future.
Caci H, Bouchez J, & Baylé FJ (2009). Inattentive symptoms of ADHD are related to evening orientation. Journal of attention disorders, 13 (1), 36-41 PMID: 19387003
The Symphony of Science is a musical project of John D Boswell, designed to deliver scientific knowledge and philosophy in musical form. The project owes its existence in large measure to the classic PBS Series Cosmos, by Carl Sagan, Ann Druyan, and Steve Soter, as well as all the other featured figures and visuals. Continuation of the videos relies on generous support from fans and followers.
Read more about the project here.
Here’s one of my favourites, “Ode To The Brain”.
There’s no doubt that watching sports is a very popular pastime.
In 2010 alone, there were over 40,500 h of live sporting events on broadcast and cable TV (Neilsen Company, 2011)
However, little is know about the personality traits and the identity of people who like watching sports*.
Appelbaum and colleagues gathered broad demographic, physiological, clinical, psychological, and pastime-preference information from a sample of 293 individuals to see what factors most reliably predicted sport spectating habits. First, they examined possible relationships between watching sports and physiological measures. Saliva was collected and baseline testosterone and cortisol levels were measured. Moreover, 2D:4D digit ratio was calculated for each individual. This measurement is a proxy of prenatal androgen exposure and has been shown to correlate with particular disorders. Secondly, they administered self-report scales looking at ADHD (Jasper/Goldberg adult ADD/ADHD questionnaire) and autism traits (AQ; Autism Spectrum Quotient). Furthermore, they investigated the relationship between sports spectating and personality traits. The NEO personality inventory (NEO-PI-R), which measures the “BigFive” personality traits, and the Barratt Impulsivity Scale (BIS-11) were used. Finally, Appelbaum et al. asked their participants about the pastime activities. The pastime involvement questionnaire asked participants how many hours a week they spend on a number of activities such as reading, playing sports, watching television and movies, and listening to music.
As expected gender and age significantly accounted for the variability in the results. Young males reported spending more time watching sports. High levels of sports spectating were correlated with higher levels of extraversion, excitement seeking and gregariousness on the personality questionnaires. The participants who reported spending more hours watching sports also engaged more in specific pastime activities, such as participating in sports and exercise, watching TV/movies, and playing video games. No differences were observed in the self-report scales. More specifically, no differences in ADHD or autism symptoms were found between people who watch sports and people who don’t. Likewise, the authors didn’t find any relationship between digit ratio and sports watching.
No relationship was found between baseline concentrations of cortisol or testosterone and sports spectating. This came as a surprise to the authors who list a number of previous studies that identified higher concentrations of testosterone and cortisol in people who like sports. Now, before jumping to conclusions, take into account that the sport spectators in this study is not your average sports fan! Previous literature has identified two related concepts; fans and spectators. Even though those groups have some overlapping qualities, there are some key differences.
…a fan is typically associated with an emotional link to a sport or team, while a spectator is a more neutral descriptor of an individual who consumes sports (Wann & Dolan, 2001).
In this study, they were interested only in sports spectators (defined by the hours they spend watching sports). This could possibly explain why no relationship was found between sports watching and cortisol concentration.
Also, I think that there must be differences between spectators of different types of sports (e.g. rugby, tennis, snooker). The authors didn’t examined this, but it’d be interesting to see a study looking at differences in sports preferences between people who enjoy watching sports.
Gregory Appelbaum, L., Cain, M., Darling, E., Stanton, S., Nguyen, M., & Mitroff, S. (2011). What is the identity of a sports spectator? Personality and Individual Differences DOI: 10.1016/j.paid.2011.10.048
* Academics are probably not very keen on sports?
Why do some people like popular music while others prefer less popular genres? A new study published on the journal Psychology of Music proposes a possible explanation for this, handedness. After examining the musical preferences and the handedness scores of 92 undergraduate students, S.D. Christman identified that the strength of handedness is an important factor in individual differences in musical preferences.
More specifically, strong right-handers compared to mixed-handers reported significantly decreased liking of unpopular music genres and marginally increased liking of popular genres. These differences do not appear to reflect differences in musical training or experience. According to the author of the study handedness is associated with differences in cognitive flexibility. Previous studies suggest that strong right-handedness is associated with decreased interaction between the left and right cerebral hemispheres, which in turn is associated with decreased cognitive flexibility across various domains. The author concludes:
A number of studies report differences between conservatives and liberals in musical preferences (e.g., Glasgow & Cartier, 1985; North & Hargreaves, 2007). For example, Glashow and Cartier (1985) reported that conservatives prefer music that is safe and familiar, presumably reflecting preference for popular, not unpopular, genres. Given evidence that strong right-handedness is associated with increased conservative attitudes (Christman, 2008), this suggests a possible three-way connection between strong right-handedness, conservative views, and a lack of open-earedness. Accordingly, future research on individual differences in musical preferences would be well advised to include strength of handedness as a variable.
Finally, in case you’re curious, here are some of the genres included in each category: (a) popular: modern rock, classic rock, heavy metal, alternative rock, modern pop, 80s pop, R&B, Rap, Hip-hop, country, (b) unpopular: soul, funk, jazz, blues, folk, avant-garde, world, electronica, reggae, ambient, house. The categorisation of popular and unpopular genres was based on record sales (conventional music was defined as popular genres with high numbers of sales, while unconventional music was defined as less popular genres with lower numbers of sales). Even though the proposed idea is interesting, handedness is probably only one of the factors that might explain individual differences in musical preference. For a different approach see a recently published study by Chamorro-Premuzic et al. (2011) who found that individual differences in music consumption are predicted by uses of music and age rather than emotional intelligence, neuroticism, extraversion or openness.
Christman, S. D. (2011). Handedness and ‘open-earedness’: Strong right-handers are less likely to prefer less popular musical genres Psychology of Music : 10.1177/0305735611415751
Chamorro-Premuzic, T., Swami, V., & Cermakova, B. (2011). Individual differences in music consumption are predicted by uses of music and age rather than emotional intelligence, neuroticism, extraversion or openness Psychology of Music : 10.1177/0305735610381591
Music is a powerful tool of expressing and inducing emotions. Lima and colleagues aimed at investigating whether and how emotion recognition in music changes as a function of ageing. Their study revealed that older participants showed decreased responses to music expressing negative emotions, while their perception of happy emotions remained stable.
Emotion plays an important role in music. Even infants have been found to be capable of identifying emotions in musical excerpts (Nawrot, 2003). However, recognition of emotion in music has received little attention so far. A new study by Lima and Castro published in Cognition and Emotion examined the effects of ageing on the recognition of emotions in music. Previous studies looking at emotion recognition in other modalities have revealed that increasing age is associated with a decline in the recognition of some emotions but not others (for more information see meta-analysis by Ruffman et al. (2008)). Laukka and Juslin (2007) examined the effects of ageing on emotion recognition in music comparing young adults (around 24) and older adults (older than 65). Their results identified that older adults had more difficulty recognizing fear and sadness in both music and speech prosody, whereas no differences were observed for anger, happiness and neutrality.
The sample used by Lima et al. was of 114 healthy adults (67 female). They were aged between 17 and 84 years, and were divided into three groups with 38 participants each: younger(mean age=21.8 years), middle-aged (mean age=44.5 years) and older adults (mean age=67.2 years). Each group listened to 56 short musical excerpts that expressed happiness, sadness, fear/threat and peacefulness. Each category was consisted of 14 stimuli.
The results revealed significant age-related changes associated with specific emotions. More specifically, the authors identified a progressive decline in responsiveness to sad and scary music. No difference was found in happy music. Differences between age groups were also observed in the pattern of misclassifications for sad and peaceful music. Younger participants perceived more sadness in peaceful music, older participants perceived more peacefulness. This could be due to the structural features of peaceful and sad songs, which are both characterised by slow tempo. Future studies could further investigate this. In addition to that, Lima et al. took into account the years of musical training that the participants had. This analysis revealed a positive association between music training and the categorisation of musical emotions.
One possible explanation for the main findings of this study suggests that the decline in the recognition of particular emotions might reflect the age-related neuropsychological decline in brain regions (such as the amygdala) involved in emotion processing. Previous studies have showed that distinct brain regions are involved in the perception of different emotions (Mitterschiffthaler et al., 2007). Another possible explanation is the age-related positivity bias (Mather & Carstensen, 2005; Carstensen & Mikels, 2005). Age-related positivity bias suggests that people get older, they experience fewer negative emotions.
Future studies could attempt to identify particular brain regions involved in emotion recognition at different ages. Furthermore, since the age-related positivity bias might not be universal (older Chinese participants looked away from happy facial expressions and not from negative ones, see Fung et al., 2008), it’d be very interesting to investigate the effects of ageing on emotion recognition in music in participants from different cultures.
Lima CF, & Castro SL (2011). Emotion recognition in music changes across the adult life span. Cognition & emotion, 25 (4), 585-98 PMID: 21547762
Carstensen, L., & Mikels, J. (2005). At the Intersection of Emotion and Cognition. Aging and the Positivity Effect Current Directions in Psychological Science, 14 (3), 117-121 DOI: 10.1111/j.0963-7214.2005.00348.x
Ruffman T, Henry JD, Livingstone V, & Phillips LH (2008). A meta-analytic review of emotion recognition and aging: implications for neuropsychological models of aging. Neuroscience and biobehavioral reviews, 32 (4), 863-81 PMID: 18276008
Laukka, P., & Juslin, P. (2007). Similar patterns of age-related differences in emotion recognition from speech and music Motivation and Emotion, 31 (3), 182-191 DOI: 10.1007/s11031-007-9063-z
Mather M, & Carstensen LL (2005). Aging and motivated cognition: the positivity effect in attention and memory. Trends in cognitive sciences, 9 (10), 496-502 PMID: 16154382
Mitterschiffthaler, M., Fu, C., Dalton, J., Andrew, C., & Williams, S. (2007). A functional MRI study of happy and sad affective states induced by classical music Human Brain Mapping, 28 (11), 1150-1162 DOI: 10.1002/hbm.20337
Nawrot, E. (2003). The Perception of Emotional Expression in Music: Evidence from Infants, Children and Adults Psychology of Music, 31 (1), 75-92 DOI: 10.1177/0305735603031001325
Fung HH, Lu AY, Goren D, Isaacowitz DM, Wadlinger HA, & Wilson HR (2008). Age-related positivity enhancement is not universal: older Chinese look away from positive stimuli. Psychology and aging, 23 (2), 440-6 PMID: 18573017