Kay Redfield Jamison, professor of psychiatry and behavioral sciences and co-director of the Johns Hopkins Mood Disorders Center at the Johns Hopkins University School of Medicine, convened a discussion of the effects of depression on creativity. Joining Jamison were two distinguished colleagues from the fields of neurology and neuropsychiatry, Dr. Terence Ketter and Dr. Peter Whybrow. The Music and the Brain series is co-sponsored by the Library’s Music Division and Science, Technology and Business Division, in cooperation with the Dana Foundation.
The “Depression and Creativity” symposium marks the bicentennial of the birth of German composer Felix Mendelssohn (1809-1847), who died after a severe depression following the death of his sister, Fanny Mendelssohn Hensel, also a gifted composer.
One of the nation’s most influential writers on creativity and the mind, Kay Redfield Jamison is a noted authority on bipolar disorder. She is the co-author of the standard medical text on manic-depressive illness and author of “Touched with Fire,” “An Unquiet Mind,” “Night Falls Fast” and “Exuberance: The Vital Emotion.”
Dr. Terence Ketter is known for extensive clinical work with exceptionally creative individuals and a strong interest in the relationship of creativity and madness. He is professor of psychiatry and behavioral sciences and chief of the Bipolar Disorders Clinic at Stanford University School of Medicine.
Dr. Peter Whybrow, an authority on depression and manic-depressive disease, is director of the Semel Institute for Neuroscience and Human Behavior at the University of California, Los Angeles (UCLA). He is also the Judson Braun Distinguished Professor and executive chair of the Department of Psychiatry and Biobehavioral Sciences at the David Geffen School of Medicine at UCLA. (description take from here).
And here’s the video:
Why do some people like popular music while others prefer less popular genres? A new study published on the journal Psychology of Music proposes a possible explanation for this, handedness. After examining the musical preferences and the handedness scores of 92 undergraduate students, S.D. Christman identified that the strength of handedness is an important factor in individual differences in musical preferences.
More specifically, strong right-handers compared to mixed-handers reported significantly decreased liking of unpopular music genres and marginally increased liking of popular genres. These differences do not appear to reflect differences in musical training or experience. According to the author of the study handedness is associated with differences in cognitive flexibility. Previous studies suggest that strong right-handedness is associated with decreased interaction between the left and right cerebral hemispheres, which in turn is associated with decreased cognitive flexibility across various domains. The author concludes:
A number of studies report differences between conservatives and liberals in musical preferences (e.g., Glasgow & Cartier, 1985; North & Hargreaves, 2007). For example, Glashow and Cartier (1985) reported that conservatives prefer music that is safe and familiar, presumably reflecting preference for popular, not unpopular, genres. Given evidence that strong right-handedness is associated with increased conservative attitudes (Christman, 2008), this suggests a possible three-way connection between strong right-handedness, conservative views, and a lack of open-earedness. Accordingly, future research on individual differences in musical preferences would be well advised to include strength of handedness as a variable.
Finally, in case you’re curious, here are some of the genres included in each category: (a) popular: modern rock, classic rock, heavy metal, alternative rock, modern pop, 80s pop, R&B, Rap, Hip-hop, country, (b) unpopular: soul, funk, jazz, blues, folk, avant-garde, world, electronica, reggae, ambient, house. The categorisation of popular and unpopular genres was based on record sales (conventional music was defined as popular genres with high numbers of sales, while unconventional music was defined as less popular genres with lower numbers of sales). Even though the proposed idea is interesting, handedness is probably only one of the factors that might explain individual differences in musical preference. For a different approach see a recently published study by Chamorro-Premuzic et al. (2011) who found that individual differences in music consumption are predicted by uses of music and age rather than emotional intelligence, neuroticism, extraversion or openness.
Christman, S. D. (2011). Handedness and ‘open-earedness’: Strong right-handers are less likely to prefer less popular musical genres Psychology of Music : 10.1177/0305735611415751
Chamorro-Premuzic, T., Swami, V., & Cermakova, B. (2011). Individual differences in music consumption are predicted by uses of music and age rather than emotional intelligence, neuroticism, extraversion or openness Psychology of Music : 10.1177/0305735610381591
Does monocular viewing affect judgement of art? According to a 2008 paper by Finney and Heilman it does. The two researchers from the University of Florida inspired by previous studies investigating the effect of monocular viewing on performance on visual-spatial and verbal memory tasks, attempted to see what the results would be in the case of Art.
In particular, they recruited 8 right-eye dominant subjects (6 men and 2 women) with college education and asked them to view monocularly on a colour computer screen 10 painting with the right eye and another 10 with the left. None of the subjects was familiar with the presented paintings. Overall, each subject viewed 5 abstract expressionist and 5 impressionist paintings with each eye. Then they rated on a 1 to 10 scale four qualities of the paintings: representation (=how well the subject of the painting was rendered), aesthetics (how beautiful the painting appeared), novelty (=newness and originality of the painting), and closure (=completeness of the composition). Each quality was defined for each subject.
Monocular viewing had significant effects only in paintings in the abstract expressionist style. Impressionist paintings yielded no differences. The authors attributed this to the more concrete nature of impressionist works. Abstract expressionist paintings were rated more novel when viewed with the left eye. Moreover, the researchers found a trend for rating paintings as having more closure when they were viewed with the right eye than with the left.
The left eye primarily projects to the right superior colliculus and activation of this colliculus activates the right hemisphere’s attentional systems. The authors suggest that the results of the study provide evidence for the role of the right hemisphere in creativity and novelty processing. This seems consistent with previous research on patients with brain lesions and neuroimaging studies that have associated global processing and creativity with the right hemisphere*.
The small number of participants, however, means that the effects observed in this study must be seen with caution. Hopefully, someone will try to replicate these results involving a bigger sample in the near future.
*but also see Lindell (2010)
Finney, G., & Heilman, K. (2008). Art in the Eye of the Beholder: The Perception of Art During Monocular Viewing Cognitive and Behavioral Neurology, 21 (1), 5-7 DOI: 10.1097/WNN.0b013e3181684fe0
A new study by researchers at the Swedish medical university Karolinska Institutet supports the hypothesis that there is a link between mental illness and creativity. More specifically, they showed that highly creative people – with high scores in divergent thinking – had a lower density of D2 receptors in their thalamus than less creative people. Lower density of D2 receptors is a consistent finding in patients with schizophrenia. The authors suggest that lower density of D2 receptors may be “one factor that facilitates performance on divergent thinking tasks.”, as it could possibly:
“lower thalamic gating thresholds, resulting in decreased filtering and autoregulation of information flow and, increase excitation of cortical regions through decreased inhibition of prefrontal pyramidal neurons. The decreased prefrontal signal-to-noise ratio may place networks of cortical neurons in a more labile state, allowing them to more easily switch between representations and process multiple stimuli across a wider association range. This state, which we hereforth will refer to as the “creative bias”, could benefit performance on tasks that involve continuous generation and (re-)combination of mental representations and switching between mind-sets
However, decreased signal-to-noise ratio is also associated with some drawbacks (i.e. cognitive disorganization, poor performance on tasks of selective attention), some of which are linked to psychopathology. As de Manzano and colleagues conclude:
“..thinking outside the box might be facilitated by having a somewhat less intact box.”
de Manzano, Örjan, Cervenka, Simon, Karabanov, Anke, Farde, Lars, & Ullén, Fredrik (2010). Thinking Outside a Less Intact Box: Thalamic Dopamine D2 Receptor Densities Are Negatively Related to Psychometric Creativity in Healthy Individuals PLoS ONE DOI: http://dx.doi.org/10.1371/journal.pone.0010670
Jürgen Schmidhuber is a professor of Cognitive Robotics at the Tech. University Munich. He’s mostly known on his work on machine learning. Interestingly, his research is not also relevant for robotics and AI, but also for arts. You can learn more about his work on his website and download some of his publications here.
Here’s his talk from the second Conference on Artificial General Intelligence (AGI).
For next the remaining 3 parts of the talk click here.
Most traditional artificial intelligence (AI) systems of the past 50 years are either very limited, or based on heuristics, or both. The new millennium, however, has brought substantial progress in the field of theoretically optimal and practically feasible algorithms for prediction, search, inductive inference based on Occam’s razor, problem solving, decision making, and reinforcement learning in environments of a very general type. Since inductive inference is at the heart of all inductive sciences, some of the results are relevant not only for AI and computer science but also for physics, provoking nontraditional predictions based on Zuse’s thesis of the computer-generated universe. (taken from here )
Talking about art can influence our appreciation of it. That’s what Ayumi Yamada found by asking half of 129 students to either verbalise their reasons for liking two paintings or their reasons for not liking them. One piece was representational, the other piece was abstract. The remaining participants were used as a controls and were only asked to view the paintings.
The participants who were asked to verbalize their reasons for liking the artworks were more likely to prefer the representational painting. Those who verbalised their reasons for disliking the paintings were also more likely to dislike the representational painting.
The results showed that verbalising their appreciation of art influenced the participants’ preferences. Yamada explained these findings suggesting that “due to its figurative qualities people will be encouraged to generate reasons to describe representational art, rather than abstract art, and that these reasons could potentially be biased and cause them to change their preferences in line with these reasons”.
Link to the original study
One of my favourite music & mind speeches. Dr. Aniruddh D. Patel of the Neurosciences Institute, discusses what music can teach us about the brain, and what brain science, in turn, can reveal about music.
You can find many of his interesting papers here.
The idea that creativity is strongly associated with mental illness was popular since Aristotle’s era. Many recent studies seem to support this claim.
Here are a few findings that suggest that the link between art and mental illness really exists:
- 1. Researchers (Jamison, 1989; Janka, 2004) have found high levels of psychopathology, especially, depression and bipolar disorder (I, II & cyclothymia) in writers, poets, visual artists and composers, compared to the rates in the general population. Furthermore, artistic creatives and psychiatric patients share a tendency to unusual ideas and experiences. Moreover, different domains of creativity require different cognitive profiles, with poetry and art associated with divergent thinking, schizophrenia and affective disorder (Nettle, 2005).
- Family studies have produced evidence of creative interests and aptitudes in close relatives of psychiatric patients, including biological relatives separated by adoption (Andreasen, 1987). This supports the idea that there is an inherited personality or cognitive trait that has both creativity and mental illness in its range of effects.
- Research on psychiatric patients, usually with a diagnosis of schizophrenia, suggest that they have enhanced performance relative to control participants on tasks that require divergent thinking (Hasenfus & Magaro, 1976; Jamison, 1989). Divergent thinking is strongly connected to creativity.
- A new theory based on genetics suggest that gene mutations that increase a person’s risk of developing mental illnesses such as schizophrenia and bipolar syndrome have been preserved, even preferred, during human evolution, due to their relationship with creativity. More specifically, a specific gene, neuregulin 1 is linked to a slightly increased risk of schizophrenia. Mutations to this gene were found to be linked with psychosis, poor memory and sensitive to criticism. About 50 per cent of healthy Europeans have one copy of this mutation, while 15 per cent possess two copies. People with two copies of the neuregulin 1 mutation tended to score notably higher on these measures of creativity, compared with other volunteers with one or no copy of the mutation. A significant increase in creativity relative to participants with no copy of this gene was found to people possessing only one copy of the mutation. However, the mutation of neuregulin 1 can explain only a small part of the differences in creativity levels (Kéri, 2009). Other researchers (Nettle & Clegg, 2005) “blame” the artists for the persistence of schizophrenia, as they have schizotypal personality traits and are more successful in finding sexual partners compared to non artistic individuals. However, this idea isn’t that popular among artists.
- Symptoms of certain disorders like hypomania (mild mania) favour creativity by giving a boost to the imagination and energy. On the other hand, full blown symptoms or more serious disorders have the opposite effect and inhibit creativity.
Artistic tendencies linked to ‘schizophrenia gene – New Scientist article
A beautiful mind - BBC News
Manic-Depressive Illness and Creativity by K.R. Jamison – Scientific American
Creativity andmental health by J. Schlesinger – The British Journal of Psychiatry
Connecting Depression and Artistry by R.A. Friedman (MD) - The New York Times
Biological Basis For Creativity Linked To Mental Illness – Science Daily